Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 48
... question of the alien subject , who both quivers and marches through it , is inter- sected by the question of what its purpose is , why it is there at all , while it asserts its existence ( Dasein ) as something self - evident which ...
... question of the alien subject , who both quivers and marches through it , is inter- sected by the question of what its purpose is , why it is there at all , while it asserts its existence ( Dasein ) as something self - evident which ...
Side 90
... question and an uncertainty , which is the beginning and not the end of cultural production . In what follows , I will show how , in the formal aspects of the film , it is the filmic image which tends to be aligned with the politics of ...
... question and an uncertainty , which is the beginning and not the end of cultural production . In what follows , I will show how , in the formal aspects of the film , it is the filmic image which tends to be aligned with the politics of ...
Side 134
... question in these various problems is the under- standing of subjectivity , of the production , reality , identity of human - being - subjects and the relations of that production , reality , identity to the fact of the sexual . To show ...
... question in these various problems is the under- standing of subjectivity , of the production , reality , identity of human - being - subjects and the relations of that production , reality , identity to the fact of the sexual . To show ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York