Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 21
... production , it would inevitably reappear with his blessing in the ancillary aesthetic production of the Paris avant - garde , given its intimate involvement with the new slumming practices of the latter . As an impresario of the first ...
... production , it would inevitably reappear with his blessing in the ancillary aesthetic production of the Paris avant - garde , given its intimate involvement with the new slumming practices of the latter . As an impresario of the first ...
Side 57
... production . The necessity of the producer is its reason ; it is subsequently turned into the " virtue " of a collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in ...
... production . The necessity of the producer is its reason ; it is subsequently turned into the " virtue " of a collective which in reality does not exist . He who presumes a late - capitalist rationality of the process of production in ...
Side 81
... production relations " and their constraints , and will look to other means of cultural produc- tion and reproduction for sources of “ technical innovation . " Emergent culture , says Raymond Williams , " depends crucially on finding ...
... production relations " and their constraints , and will look to other means of cultural produc- tion and reproduction for sources of “ technical innovation . " Emergent culture , says Raymond Williams , " depends crucially on finding ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York