Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 34
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
Side 35
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
Side 36
... present that is waiting for our encounter and is normally called the future . Time in its timing removes us in its threefold simultaneity .... But time itself , in the wholeness of its nature , does not move ; it rests in stillness ...
... present that is waiting for our encounter and is normally called the future . Time in its timing removes us in its threefold simultaneity .... But time itself , in the wholeness of its nature , does not move ; it rests in stillness ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York