Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 90
... political coding . " ' 1o 10 Though entirely sympathetic with the film's images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and the technological aspects of production . What ...
... political coding . " ' 1o 10 Though entirely sympathetic with the film's images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and the technological aspects of production . What ...
Side 93
... political power through its control of noise . Attali argues that by channeling noise , which is violence , music effects " a sublimation , an exacerbation of the imaginary " that is at the same time " the creation of social order and ...
... political power through its control of noise . Attali argues that by channeling noise , which is violence , music effects " a sublimation , an exacerbation of the imaginary " that is at the same time " the creation of social order and ...
Side 130
... political forms of understanding of and action for change in relation to those issues . As clearly as anywhere , this matter of the political - ethical can be brought out round the conceptualization and theoretical functioning and lived ...
... political forms of understanding of and action for change in relation to those issues . As clearly as anywhere , this matter of the political - ethical can be brought out round the conceptualization and theoretical functioning and lived ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York