Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 32
... live in a world where there are things as well as people . Trees , stones , water , everything is expressive . I see this situation in which I impermanently live as a complex interpenetration of centers moving out in all direc- tions ...
... live in a world where there are things as well as people . Trees , stones , water , everything is expressive . I see this situation in which I impermanently live as a complex interpenetration of centers moving out in all direc- tions ...
Side 127
... live performance , which incorporated visuals . The latter was recorded in a studio specifically for audio release , and it is much tighter musically since sound is its only available parameter . The piece lasts three minutes longer in ...
... live performance , which incorporated visuals . The latter was recorded in a studio specifically for audio release , and it is much tighter musically since sound is its only available parameter . The piece lasts three minutes longer in ...
Side 59
... live or is it Memorex ?, " Anderson confronts us with precisely these difficul- ties . From within the performance conventions of " popular " music , to sing or speak as a living doll is to violate the code of compulsory sincerity and ...
... live or is it Memorex ?, " Anderson confronts us with precisely these difficul- ties . From within the performance conventions of " popular " music , to sing or speak as a living doll is to violate the code of compulsory sincerity and ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York