Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 13
... jazz , stressing that the latter had been exposed mainly to the " distortions and degradations ” of “ commercial counter- feits , " rather than to " authentic jazz ” ( 246 , 251 ) . What are we to say of someone who sang the praises of ...
... jazz , stressing that the latter had been exposed mainly to the " distortions and degradations ” of “ commercial counter- feits , " rather than to " authentic jazz ” ( 246 , 251 ) . What are we to say of someone who sang the praises of ...
Side 18
... jazz , his underestimation of performance at the expense of composi- tion , his limited exposure to the wide variety of jazz bands , his simplistic schemes of classification ( " mechanical " white jazz vs. " primitive " black jazz ) ...
... jazz , his underestimation of performance at the expense of composi- tion , his limited exposure to the wide variety of jazz bands , his simplistic schemes of classification ( " mechanical " white jazz vs. " primitive " black jazz ) ...
Side 47
... jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this puzzle are as few as the forms which jazz has cultivated . Much of what is accepted as jazz - at ...
... jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this puzzle are as few as the forms which jazz has cultivated . Much of what is accepted as jazz - at ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York