Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 47
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
Side 77
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
Side 71
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Copyright | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York