The Sorcery of Color: Identity, Race, and Gender in Brazil

Forsideomslag
Temple University Press, 2007 - 324 sider

Originally published in 2003 in Portuguese, The Sorcery of Color argues that there are longstanding and deeply-rooted relationships between racial and gender inequalities in Brazil. In this pioneering book, Elisa Larkin Nascimento examines the social and cultural movements that have attempted, since the early twentieth century, to challenge and eradicate these conjoined inequalities.

The book's title describes the social sleight-of-hand that disguises the realities of Brazilian racial inequity. According to Nascimento, anyone who speaks of racism—or merely refers to another person as black—traditionally is seen as racist. The only acceptably non-racist attitude is silence. At the same time, Afro-Brazilian culture and history have been so overshadowed by the idea of a general "Brazilian identity" that to call attention to them is also to risk being labeled racist.

Incorporating leading international scholarship on Pan Africanism and Afrocentric philosophy with the writing of Brazilian scholars, Nascimento presents a compelling feminist argument against the prevailing policy that denies the importance of race in favor of a purposefully vague concept of ethnicity confused with color.

Fra bogen

Indhold

Introduction
1
Identity Race and Gender
9
Brazil and the Making of Virtual Whiteness
42
Constructing and Deconstructing the Crazy Creole
75
AfroBrazilian Agency São Paulo and Rio de Janeiro 19141960
120
Plots Texts and Actors
164
The Priority of Education
227
Notes
241
List of Abbreviations
283
Glossary of Brazilian Words
287
Bibliographical Note to the English Edition
291
Selected Bibliography
295
Index
317
Copyright

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Populære passager

Side 244 - Patricia Hill Collins, Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment (New York: Routledge, 1991...
Side 79 - Moreover, because you twisted your head around to see my nakedness, your grandchildren's hair shall be twisted into kinks, and their eyes red; again because your lips jested at my misfortune, theirs shall swell; and because you neglected my nakedness , they shall go naked , and their male members shall be shamefully elongated...
Side 243 - I shall call racialism — that there are heritable characteristics, possessed by members of our species, which allow us to divide them into a small set of races, in such a way that all the members of these races share certain traits and tendencies with each other that they do not share with members of any other race.
Side 209 - ... with his environment, physical, social and psychic. The drama of the hero-god is a convenient expression; gods they are unquestionably, but their symbolic roles are identified by man as the role of an intermediary quester, an explorer into territories of 'essence-ideal' around whose edges man fearfully skirts.
Side 222 - ... respectability" while they make their own sexuality a taboo subject? There indeed are ways out, but there is no one way out for all black people. Or, to put it another way, the ways out for black men differ vastly from those for black women. Yet, neither black men nor black women can make it out unless both get out since the degradation of both are inseparable though not identical. Black male sexuality differs from black female sexuality because black men have different self-images and strategies...
Side 209 - The three deities that concern us here are Ogun, Obatala and Sango. They are represented in drama by the passage-rites of hero-gods, a projection of man's conflict with forces which challenge his efforts to harmonise with his environment, physical, social and psychic. The drama of the hero-god is a convenient expression; gods they are unquestionably, but their symbolic roles are identified by man as the role of an intermediary quester, an explorer into territories of 'essence-ideal...
Side 37 - In fact, my central argument is that there were no women - defined in strictly gendered terms - in that society.

Om forfatteren (2007)

Elisa Larkin Nascimento is Director of IPEAFRO Afro-Brazilian Studies and Research Institute, Rio de Janeiro, Brazil.

Bibliografiske oplysninger