Visualität in Literatur und Film: eine medienkomparatistische Untersuchung moderner Erzähltexte und ihrer Verfilmungen

Vandenhoeck & Ruprecht, 2007 - 334 sider
English summary: The study analyses the similarities and differences of visual means of representation in literature and film. German description: Das Sehen kann als Hauptzugang des Menschen zur Welt verstanden werden und ist daher auch in der Kunst von zentraler Bedeutung. Sowohl in der Literatur als auch im Film ist die Darstellung visueller Wahrnehmung ein maagebliches Mittel zur Gestaltung der fiktionalen Welt. Die Visualitat kann somit als entscheidende Gemeinsamkeit beider Kunste verstanden werden, in der sich zugleich ihre medialen Unterschiede besonders deutlich zeigen. Die Arbeit erlautert in einem ersten theoretischen Teil die Phanomene literarischer und filmischer Visualitat. Im zweiten Teil wird ein ausfuhrlicher Vergleich dreier bedeutender Werke der Weltliteratur (Prousts A la recherche du temps perdu, Kafkas Der Procea, Conrads Heart of Darkness) und ihrer Verfilmungen vorgenommen. Ein abschlieaendes Fazit zeigt, inwiefern die Visualitat nicht nur als Schnittpunkt der Medien Literatur und Film, sondern auch als Brucke zwischen anderen Kunsten und Medien steht.

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Side 243 - My task which I am trying to achieve is, by the power of the written word to make you hear, to make you feel — it is, before all, to make you see.
Side 300 - Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream — making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams
Side 261 - Trees, trees, millions of trees, massive, immense, running up high; and at their foot, hugging the bank against the stream, crept the little begrimed steam-boat, like a sluggish beetle crawling on the floor of a lofty portico.
Side 188 - Ce que nous appelons la réalité est un certain rapport entre ces sensations et ces souvenirs qui nous entourent simultanément...
Side 300 - ...No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence — that which makes its truth, its meaning — its subtle and penetrating essence. It is impossible. We live, as we dream— alone...
Side 245 - And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. " She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments.
Side 285 - It was evident he took me for a perfectly shameless prevaricator. At last he got angry, and, to conceal a movement of furious annoyance, he yawned. I rose. Then I noticed a small sketch in oils, on a panel, representing a woman, draped and blindfolded, carrying a lighted torch. The background was sombre — almost black. The movement of the woman was stately, and the effect of the torchlight on the face was sinister.
Side 261 - I looked around, and I don't know why, but I assure you that never, never before, did this land, this river, this jungle, the very arch of this blazing sky, appear to me so hopeless and so dark, so impenetrable to human thought, so pitiless to human weakness. 'And, ever since, you have been with him, of course?

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