XX. And Azo found another bride, And goodly sons grew by his side; As him who wither'd in the grave; Or if they were on his cold eye Their growth but glanced unheeded by, But never tear his cheek descended, And never smile his brow unbended; And o'er that fair broad brow were wrought The intersected lines of thought; Those furrows which the burning share Of Sorrow ploughs untimely there; Scars of the lacerating mind Which the Soul's war doth leave behind. He was past all mirth or woe: Nothing more remain'd below But sleepless nights and heavy days, The deepest ice which ever froze Unseen, unwept, but uncongeal'd, And cherish'd most where least reveal'd. To throb o'er those of life bereft ; With all the consciousness that he Had only pass'd a just decree; That they had wrought their doom of ill; Yet Azo's age was wretched still. The tainted branches of the tree, If lopp'd with care, a strength may give, By which the rest shall bloom and live All greenly fresh and wildly free: But if the lightning, in its wrath, The waving boughs with fury scathe, The massy trunk the ruin feels, And never more a leaf reveals. VOL. III. S NOTES TO PARISINA. Note 1, page 231, last line. As twilight melts beneath the moon away. The lines contained in Section I. were printed as set to music some time since: but belonged to the poem where they now appear, the greater part of which was composed prior to "Lara," and other compositions since published. Note 2, page 243, line 12. That should have won as haught a crest. Haught-haughty-" Away, haught man, thou art in sulting me." Shakspeare, Richard II. Note 3, page 254, last line. Her life began and closed in woe. "This turned out a calamitous year for the people of Ferrara, for there occurred a very tragical event in the court of their sovereign. Our annals, both printed and in manuscript, with the exception of the unpolished and negligent work of Sardi, and one other, have given the following relation of it, from which, however, are rejected many details, and especially the narrative of Bandelli, who wrote |