Hamlet, Bind 4Lippincott, 1877 |
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Side 6
... effect of the story , that I cannot imagine it belonged to any but Shakespeare . Should I be mistaken in this opinion , still I appeal to Nash's authority , published in 1589 , that Shakespeare's Hamlet had been played : the word in ...
... effect of the story , that I cannot imagine it belonged to any but Shakespeare . Should I be mistaken in this opinion , still I appeal to Nash's authority , published in 1589 , that Shakespeare's Hamlet had been played : the word in ...
Side 20
... effect , holds in the drama . Let us recollect , also , how we are prepared for its approach . In the play , as we have it in the newer edition , Hamlet's assumed madness is an- nounced by degrees . First comes Ophelia to describe that ...
... effect , holds in the drama . Let us recollect , also , how we are prepared for its approach . In the play , as we have it in the newer edition , Hamlet's assumed madness is an- nounced by degrees . First comes Ophelia to describe that ...
Side 21
... effect . The remainder of the Act is in a key far less passionate . And , again , when we come to the Third Act the vehemence of the play - scene breaks out with equal unexpectedness . Take the altered shape of the drama . How ...
... effect . The remainder of the Act is in a key far less passionate . And , again , when we come to the Third Act the vehemence of the play - scene breaks out with equal unexpectedness . Take the altered shape of the drama . How ...
Side 23
... effect which grief for his only son may not have had in producing that deep- seated melancholy and distaste for the vanity of the world which have found in this tragedy their immortal expression ? [ Page xxiv . ] Further speculations ...
... effect which grief for his only son may not have had in producing that deep- seated melancholy and distaste for the vanity of the world which have found in this tragedy their immortal expression ? [ Page xxiv . ] Further speculations ...
Side 26
... effect ; it is common to all the adulterated editions of Shakespeare that they explain much more of the stage business than the genuine ones ; another proof that the foundation of such copies was that of actual per- formance . 16 ...
... effect ; it is common to all the adulterated editions of Shakespeare that they explain much more of the stage business than the genuine ones ; another proof that the foundation of such copies was that of actual per- formance . 16 ...
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action actors Amleth appears blood cause character of Hamlet Claudius copy Corambis court courtiers crime critics death deed Denmark doubt drama edition effect England exit eyes father fear feeling feigned madness Fengon Fortinbras friends German Ghost give Goethe Hamlet plays hand hath haue heart Heaven hero Horatio Horvendile Hubert Languet human idea insanity intellectual kill King Laertes Lear Leartes look Lord loue Marcellus means melancholy mind moral mother murder nature never night noble Norway Ofel Ofelia Ophelia Orvandill Osric passages passion persons Philip Sidney piece play players poet Polonius Prince Hamlet Quarto Queen racter rapiers reason revenge Rosencrantz and Guildenstern says scene seems Shakespeare Shakespeare's Hamlet ſhall soliloquy soul speak ſpeake speech spirit stage thee things thou thought tion tragedy tragic true truth uncle uttered vengeance Voltaire whole Wittenberg words