Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 234
... turn to the audience with a face racked by deep emotion , but doing that is to lie and to play a con game , and the actor turns into a mere facemaker , a vile mummer . Respect for one's art and respect for one's audience in themselves ...
... turn to the audience with a face racked by deep emotion , but doing that is to lie and to play a con game , and the actor turns into a mere facemaker , a vile mummer . Respect for one's art and respect for one's audience in themselves ...
Side 374
... turning it into an advantage . And his handicap was not a light one . Instead of that neutral figure which an actor can turn into anything he pleases , he was tall , and built like nobody else on earth . His Dutch extraction gave him an ...
... turning it into an advantage . And his handicap was not a light one . Instead of that neutral figure which an actor can turn into anything he pleases , he was tall , and built like nobody else on earth . His Dutch extraction gave him an ...
Side 390
... turn there now and again ; besides , it belongs by right to the " leading lady . " Instead , you can try standing in front of your fellow actors if they happen to be foolish enough to let you . Don't forget they like being kept " up ...
... turn there now and again ; besides , it belongs by right to the " leading lady . " Instead , you can try standing in front of your fellow actors if they happen to be foolish enough to let you . Don't forget they like being kept " up ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York