Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 346
... truth , not vulgarity : truth of the higher as of the lower forms ; truth of passion , and truth of manners . The nature of a Macbeth is not the nature of an Othello ; the speech of Achilles is not the speech of Thersites . The truth of ...
... truth , not vulgarity : truth of the higher as of the lower forms ; truth of passion , and truth of manners . The nature of a Macbeth is not the nature of an Othello ; the speech of Achilles is not the speech of Thersites . The truth of ...
Side 494
... truth . Therefore it is necessary to feel this truth at all times , to know how to find it , and for this it is inescapable to develop one's artistic sensitivity to truth . It will be said , " But what kind of truth can this be , when ...
... truth . Therefore it is necessary to feel this truth at all times , to know how to find it , and for this it is inescapable to develop one's artistic sensitivity to truth . It will be said , " But what kind of truth can this be , when ...
Side 495
... truth which the actor can believe as sincerely and with greater enthusiasm than he believes practical truth , just as the child believes in the existence of its doll and of all life in it and around it . From the moment of the ...
... truth which the actor can believe as sincerely and with greater enthusiasm than he believes practical truth , just as the child believes in the existence of its doll and of all life in it and around it . From the moment of the ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York