Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 7
... thing is this which I have said — a thing which any man might say ; that when a man has acquired a knowledge of a whole art , the enquiry into good and bad is one and the same .... ION : I cannot deny what you say , Socrates ...
... thing is this which I have said — a thing which any man might say ; that when a man has acquired a knowledge of a whole art , the enquiry into good and bad is one and the same .... ION : I cannot deny what you say , Socrates ...
Side 53
... thing to make an audience weep at things that everyone knows not to be true . A man may be dying in agony yet no one weeps a single tear . But to cause a laugh , one sometimes needs only an ugly grimace , a headlong tumble , a monkey ...
... thing to make an audience weep at things that everyone knows not to be true . A man may be dying in agony yet no one weeps a single tear . But to cause a laugh , one sometimes needs only an ugly grimace , a headlong tumble , a monkey ...
Side 623
... thing painted , and about the combination of the two . But since the actor is also a human being , he does not pretend to use reality . He can literally use every- thing that exists . The actor uses thought - not thought transcribed ...
... thing painted , and about the combination of the two . But since the actor is also a human being , he does not pretend to use reality . He can literally use every- thing that exists . The actor uses thought - not thought transcribed ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York