Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 7
... speak of the same things ; and that almost all poets do speak of the same things ? ION : Why then , Socrates , do I lose attention and go to sleep and have absolutely no ideas of the least value , when any one speaks of any other poet ...
... speak of the same things ; and that almost all poets do speak of the same things ? ION : Why then , Socrates , do I lose attention and go to sleep and have absolutely no ideas of the least value , when any one speaks of any other poet ...
Side 23
... speak of an orator , I speak not much otherwise than I should do if I had to speak of an actor ; for I should say that he could not possibly give satisfaction in his gesture unless he had learned the exercises of the palaestra , and ...
... speak of an orator , I speak not much otherwise than I should do if I had to speak of an actor ; for I should say that he could not possibly give satisfaction in his gesture unless he had learned the exercises of the palaestra , and ...
Side 51
... speak well ; just as I realize that those who do not know how to speak will not recognize whether I speak well or badly , hence they will go on speaking ill of me . Of these I would desire no other satisfaction than that they admit not ...
... speak well ; just as I realize that those who do not know how to speak will not recognize whether I speak well or badly , hence they will go on speaking ill of me . Of these I would desire no other satisfaction than that they admit not ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York