Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 249
... rules which one tends all too easily to forget . The first rule which an actor must observe is that of making himself heard and understood . In fact this is not a rule , it is a matter of elementary politeness , and failure to conform ...
... rules which one tends all too easily to forget . The first rule which an actor must observe is that of making himself heard and understood . In fact this is not a rule , it is a matter of elementary politeness , and failure to conform ...
Side 251
... rule of Stan- islavsky ; it is a most precious rule which has countless effects and it is one of the most important rules of realistic art . The fifth rule is the rule of control , and it is also very important ; it deals with sincerity ...
... rule of Stan- islavsky ; it is a most precious rule which has countless effects and it is one of the most important rules of realistic art . The fifth rule is the rule of control , and it is also very important ; it deals with sincerity ...
Side 269
... Rules for Actors The art of the actor is made up of speech and bodily movement . In the fol- lowing paragraphs we shall give some rules and suggestions on both of these , begin- ning with speech . Dialect 1 When a provincialism creeps ...
... Rules for Actors The art of the actor is made up of speech and bodily movement . In the fol- lowing paragraphs we shall give some rules and suggestions on both of these , begin- ning with speech . Dialect 1 When a provincialism creeps ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York