Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 294
... productions on his own stage , the Kleines Theater , in 1902 until the end of his life Reinhardt was thoroughly eclectic in the choice of plays , the style of production , acting techniques , and even in the selection of theatres . At ...
... productions on his own stage , the Kleines Theater , in 1902 until the end of his life Reinhardt was thoroughly eclectic in the choice of plays , the style of production , acting techniques , and even in the selection of theatres . At ...
Side 518
... production of the Studio , directed by Richard Boleslavsky , and in the second , Dickens ' Cricket on the Hearth , directed by Leopold Sulerzhitsky , a man of great moral and spiritual intensity who helped to make this Studio the ...
... production of the Studio , directed by Richard Boleslavsky , and in the second , Dickens ' Cricket on the Hearth , directed by Leopold Sulerzhitsky , a man of great moral and spiritual intensity who helped to make this Studio the ...
Side 699
... Production ) , 314 Corley ( Glad of It ) , 591 Corneille , Pierre , 146 , 147 , 157 , 165 , 166 , 173 , 174 , 175 , 186 Cornell , Katharine , 542 , 636 Corpus Christi Festival , 36 , 39 , 64 Corrado , Gregorio , 41 Corral de la Cruz ...
... Production ) , 314 Corley ( Glad of It ) , 591 Corneille , Pierre , 146 , 147 , 157 , 165 , 166 , 173 , 174 , 175 , 186 Cornell , Katharine , 542 , 636 Corpus Christi Festival , 36 , 39 , 64 Corrado , Gregorio , 41 Corral de la Cruz ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York