Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 524
... physical actions . Their logic will inevitably provoke logic in emotions . That is the Law of the Unity of the Physical and Psychical in man's nervous system . Going through a series of physical actions and thereby obtaining logic in ...
... physical actions . Their logic will inevitably provoke logic in emotions . That is the Law of the Unity of the Physical and Psychical in man's nervous system . Going through a series of physical actions and thereby obtaining logic in ...
Side 525
... physical tasks . In other words , if the actor performs his physical tasks by means of the simplest words and deeds but in such a way that he feels their truth and sincerely believes in that simple physical truth , he need not worry ...
... physical tasks . In other words , if the actor performs his physical tasks by means of the simplest words and deeds but in such a way that he feels their truth and sincerely believes in that simple physical truth , he need not worry ...
Side 647
... physical expression , because the physical and sensory relationship with the art form opens the door for insight . Why this is so is hard to say , but be certain that it is so . It keeps the actor in an evolving world of direct ...
... physical expression , because the physical and sensory relationship with the art form opens the door for insight . Why this is so is hard to say , but be certain that it is so . It keeps the actor in an evolving world of direct ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York