Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 179
... once tragic and everyday , at once a king , and a human being . Did you ever see me as Charles IX ? I made a great effect in that part with the words : ' Du pain ! je veux du pain ! ' - because they showed the King suffering , not ...
... once tragic and everyday , at once a king , and a human being . Did you ever see me as Charles IX ? I made a great effect in that part with the words : ' Du pain ! je veux du pain ! ' - because they showed the King suffering , not ...
Side 207
... once a certain position has been acquired , once a cer- tain routine has been organized , a man may rest a little on his oars . In the theatre , the nervous tension never ceases , physical effort is added to and fused with intel ...
... once a certain position has been acquired , once a cer- tain routine has been organized , a man may rest a little on his oars . In the theatre , the nervous tension never ceases , physical effort is added to and fused with intel ...
Side 295
... once the joy of freedom . Once in his life he hates bitterly . Once with deep grief he buries a loved one , and once , finally , he dies himself . That gives all too little scope for our innate capacity to love , hate , enjoy , and ...
... once the joy of freedom . Once in his life he hates bitterly . Once with deep grief he buries a loved one , and once , finally , he dies himself . That gives all too little scope for our innate capacity to love , hate , enjoy , and ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York