Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 265
... means of its generality it becomes foreign to the action , it becomes a digression whose connection with the actual present is not comprehended or noticed by the less observant or less acute spectators . If consequently a means exists ...
... means of its generality it becomes foreign to the action , it becomes a digression whose connection with the actual present is not comprehended or noticed by the less observant or less acute spectators . If consequently a means exists ...
Side 304
... means at our disposal , a way to be under- stood . That was all we wanted . Curiously enough , this experiment gave the actor a new sort of freedom . Everything which was untrue and which he had acquired during the years he had ...
... means at our disposal , a way to be under- stood . That was all we wanted . Curiously enough , this experiment gave the actor a new sort of freedom . Everything which was untrue and which he had acquired during the years he had ...
Side 524
... means of physical actions and acquires momentum . At the same time , by means of the given circumstances - the magic ' if - the actor spreads out his invisible wings of faith that lift him on high , into the realm of the imagination ...
... means of physical actions and acquires momentum . At the same time , by means of the given circumstances - the magic ' if - the actor spreads out his invisible wings of faith that lift him on high , into the realm of the imagination ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York