Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 41
... interest in the newly discovered classical dramas , soon became intensely national . We may turn to Italy first as the source of those ideas , interests , and developments which we call the Renaissance . By a unique combination of ...
... interest in the newly discovered classical dramas , soon became intensely national . We may turn to Italy first as the source of those ideas , interests , and developments which we call the Renaissance . By a unique combination of ...
Side 187
... interest , to persuade . He interests by language ; he moves by thought ; he moves , interests and persuades by gesture . Delsarte System of Oratory : Containing All the Literary Remains of François Delsarte ( Given in His Own Words ) ...
... interest , to persuade . He interests by language ; he moves by thought ; he moves , interests and persuades by gesture . Delsarte System of Oratory : Containing All the Literary Remains of François Delsarte ( Given in His Own Words ) ...
Side 555
... interest in it . But when its constant repetition palls on the actor it will as surely weary his audience . When you lose interest - stop acting . This loss of interest on the part of the actor may not be visible in the action or ...
... interest in it . But when its constant repetition palls on the actor it will as surely weary his audience . When you lose interest - stop acting . This loss of interest on the part of the actor may not be visible in the action or ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York