Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 46
... give each one that part for which he is most fitted . I get them , after that , to read the whole play in order that they , even the children who take a share in it , may learn the plot , or at least that portion which concerns them ...
... give each one that part for which he is most fitted . I get them , after that , to read the whole play in order that they , even the children who take a share in it , may learn the plot , or at least that portion which concerns them ...
Side 503
... give him a youthful aspect . To have a character- istic mode of speech would not be of advantage , it would be difficult . It would be better to forget it . It would be better for him to have a mobile diction . Why is it that up to now ...
... give him a youthful aspect . To have a character- istic mode of speech would not be of advantage , it would be difficult . It would be better to forget it . It would be better for him to have a mobile diction . Why is it that up to now ...
Side 534
... give a reply . In these almost intimate human encounters there is always this element of " give and take . " The process is repeated , but always hic et nunc : that is to say it is never quite the same . D. B .: For each production this ...
... give a reply . In these almost intimate human encounters there is always this element of " give and take . " The process is repeated , but always hic et nunc : that is to say it is never quite the same . D. B .: For each production this ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York