Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 188
... gesture . Gesture corresponds to the soul , to the heart ; language to the life , to the thought , to the mind . The life and the mind being subordinate to the heart , to the soul , gesture is the chief organic agent . So it has its ...
... gesture . Gesture corresponds to the soul , to the heart ; language to the life , to the thought , to the mind . The life and the mind being subordinate to the heart , to the soul , gesture is the chief organic agent . So it has its ...
Side 247
... gesture . This is very clear when , during the train- ing of a theatrical company , any given series of gestures must be enacted : the result is chaos . Most people refuse even to give their attention to gesture . They at best deem it a ...
... gesture . This is very clear when , during the train- ing of a theatrical company , any given series of gestures must be enacted : the result is chaos . Most people refuse even to give their attention to gesture . They at best deem it a ...
Side 248
... gesture , as they would exclaim against an orchestra playing cacophonies , the rhythm of the alexandrine lulls them to sleep . To acquire the science of gesture , to learn to create a language of gesture which is regulated , chosen ...
... gesture , as they would exclaim against an orchestra playing cacophonies , the rhythm of the alexandrine lulls them to sleep . To acquire the science of gesture , to learn to create a language of gesture which is regulated , chosen ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York