Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 498
... Experience . As soon as we begin to talk in this area , we very quickly ob- serve that even the word itself does not express all its connotations . The actor of experience [ one who lives the role ] and the actor of performance [ one ...
... Experience . As soon as we begin to talk in this area , we very quickly ob- serve that even the word itself does not express all its connotations . The actor of experience [ one who lives the role ] and the actor of performance [ one ...
Side 500
... experience it , can you then have such a creation ? This question is most intimately tied up with the problem of simplicity , experience and performance . And what is creation ? Again reviewing various acting personalities in my experience ...
... experience it , can you then have such a creation ? This question is most intimately tied up with the problem of simplicity , experience and performance . And what is creation ? Again reviewing various acting personalities in my experience ...
Side 653
... experience a new conception of theatre was to emerge . In various European countries and on their return to the United States in 1968 , they offered audiences , who were encouraged to be participants , rituals in which traditional ...
... experience a new conception of theatre was to emerge . In various European countries and on their return to the United States in 1968 , they offered audiences , who were encouraged to be participants , rituals in which traditional ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York