Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 165
... effect , scored orchestrally , played piano and played forte , harmonized to make an individ- ual effect - all that to me is food for laughter . I hold to my point , and I tell you this : Extreme sensibility makes middling actors ...
... effect , scored orchestrally , played piano and played forte , harmonized to make an individ- ual effect - all that to me is food for laughter . I hold to my point , and I tell you this : Extreme sensibility makes middling actors ...
Side 308
... effect , " developed and enunciated by voluminous writings over the years , took on practical meaning when in 1949 , after Brecht's return from years of exile to East Germany , the Berliner Ensemble was founded . As he staged his late ...
... effect , " developed and enunciated by voluminous writings over the years , took on practical meaning when in 1949 , after Brecht's return from years of exile to East Germany , the Berliner Ensemble was founded . As he staged his late ...
Side 350
... effect is destroyed " ; and there is an observation of Molé to a similar effect : " I was not satisfied with myself to- night ; I allowed myself to be carried away and did not remain master of myself . I felt the situation too strongly ...
... effect is destroyed " ; and there is an observation of Molé to a similar effect : " I was not satisfied with myself to- night ; I allowed myself to be carried away and did not remain master of myself . I felt the situation too strongly ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York