Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
Fra bogen
Resultater 1-3 af 81
Side 281
... become when he sees all its features lost in feeble outlines , which are all the more blurred the more subtle the artist usually is . In such acting poor poets become poorer ; dull roles become duller . So such a portrayer of human ...
... become when he sees all its features lost in feeble outlines , which are all the more blurred the more subtle the artist usually is . In such acting poor poets become poorer ; dull roles become duller . So such a portrayer of human ...
Side 405
... become increasingly difficult to play and they do not know why . At worst , they begin to indulge in private jokes which even the audi- ence can see are not part of the play . Even the actor will have recognized some if not all these ...
... become increasingly difficult to play and they do not know why . At worst , they begin to indulge in private jokes which even the audi- ence can see are not part of the play . Even the actor will have recognized some if not all these ...
Side 522
... become an easy task to work out all the details in actual rehearsals on the stage . You will not have to flounder and grope aimlessly , as often happens when you start dressing a part with flesh , blood and sinews without first having ...
... become an easy task to work out all the details in actual rehearsals on the stage . You will not have to flounder and grope aimlessly , as often happens when you start dressing a part with flesh , blood and sinews without first having ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York