Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 147
... became the prevailing manner . It was said of Bellerose that he was " an affected actor , who looked where he was putting his hat for fear of spoiling the feathers . " The stout Montfleury was heavily satir- ized by Molière in his L ...
... became the prevailing manner . It was said of Bellerose that he was " an affected actor , who looked where he was putting his hat for fear of spoiling the feathers . " The stout Montfleury was heavily satir- ized by Molière in his L ...
Side 537
... became joint manager with the actor John Hodgkinson , known as " The Pro- vincial Garrick " ( 1767 ? -1805 ) , of the new Park Theatre of New York , for half a century the most brilliant American theatre . At the end of his career ...
... became joint manager with the actor John Hodgkinson , known as " The Pro- vincial Garrick " ( 1767 ? -1805 ) , of the new Park Theatre of New York , for half a century the most brilliant American theatre . At the end of his career ...
Side 539
... became America's leading actor . A scholarly man , noted for his productions of such native plays as George Henry Boker's Francesca da Rimini and William Dean Howells ' Yorick , adapted from the Spanish , Barrett still played the ...
... became America's leading actor . A scholarly man , noted for his productions of such native plays as George Henry Boker's Francesca da Rimini and William Dean Howells ' Yorick , adapted from the Spanish , Barrett still played the ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York