Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - 715 sider Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Side 41
... ITALY The Commedia dell ' Arte During the Renaissance the actor emerged once more as an individual artist . The ... Italy first as the source of those ideas , interests , and developments which we call the Renaissance . By a unique ...
... ITALY The Commedia dell ' Arte During the Renaissance the actor emerged once more as an individual artist . The ... Italy first as the source of those ideas , interests , and developments which we call the Renaissance . By a unique ...
Side 439
... ITALY Stars and the Commedia Tradition The histrionic tradition of the Italian people is a long and glorious one . In the annals of no other people is there a name to equal that of Roscius , who was lauded and honored by his Roman ...
... ITALY Stars and the Commedia Tradition The histrionic tradition of the Italian people is a long and glorious one . In the annals of no other people is there a name to equal that of Roscius , who was lauded and honored by his Roman ...
Side 440
... Italy , lacking national unity , had no center for theatrical art . The tragic writer Marchese Francesco Scipione di Maffei tried , with the aid of Luigi Riccoboni , to establish an Italian National Theatre in Verona . Maffei's attempt ...
... Italy , lacking national unity , had no center for theatrical art . The tragic writer Marchese Francesco Scipione di Maffei tried , with the aid of Luigi Riccoboni , to establish an Italian National Theatre in Verona . Maffei's attempt ...
Almindelige termer og sætninger
action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York