And a mighty bell, each pause between, Strange was their mingling in the sky, For the music spoke of triumph high, There was hurrying through the midnight, A sound of many feet; But they fell with a muffled fearfulness And softer, fainter grew their tread, As it near'd the minster gate, Whence a broad and solemn light was shed From a scene of royal state. Full glow'd the strong red radiance Where the folds of a purple canopy For something lay 'midst their fretted gold, And within that rich pavilion, Seem'd with no pulse beneath to thrill, So stonelike was its rest! But a peal of lordly music THE CORONATION OF INEZ DE CASTRO. When the burning gold of the diadem And from the encircling band Stepp'd prince and chief, 'midst the hush profound, With homage to her hand. Why pass'd a faint, cold shuddering Over each martial frame, As one by one, to touch that hand, Was not the settled aspect fair? Death! death! canst thou be lovely Unto the eye of life? Is not each pulse of the quick high breast It was a strange and fearful sight, The crown upon that head, The glorious robes, and the blaze of light, And beside her stood in silence And white lips rigidly compress'd, Lest the strong heart should fail : But on the face he looked not, To every form his glance was turn'd, Save of the breathless queen : Though something, won from the grave's embrace, Of her beauty still was there, Its hues were all of that shadowy place, It was not for him to bear. Alas! the crown, the sceptre, The treasures of the earth, And the priceless love that pour'd those gifts, Alike of wasted worth! The rites are closed:-bear back the dead Lay down again the royal head. There is music on the midnight— As the mourners through the sounding aisle In dark procession go; And the ring of state, and the starry crown, And all the rich array, Are borne to the house of silence down, With her, that queen of clay! And tearlessly and firmly King Pedro led the train; But his face was wrapt in his folding robe, When they lower'd the dust again. 'Tis hush'd at last the tomb above Hymns die, and steps depart: Who call'd thee strong as Death, O Love? THE MESSAGE TO THE DEAD. THE MESSAGE TO THE DEAD. THOU 'rt passing hence, my brother! And from the hills, and from the hearth, With thee departs the lingering mirth, But thou, my friend, my brother! Where the dirge-like tone of parting words Tell, then, our friend of boyhood On the blue mountains, whence his youth The light of his exulting brow, The vision of his glee, Are on me still-Oh! still I trust And tell our fair young sister, The rose cut down in spring, That yet my gushing soul is fill'd With lays she lov'd to sing. |