Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 148
... women . It was blatant : All you women are , will be , and have been whores , in fact or in desire , for , whoever could eliminate the deed , no man can constrain desire . All women have the advantage of being mistresses of their ...
... women . It was blatant : All you women are , will be , and have been whores , in fact or in desire , for , whoever could eliminate the deed , no man can constrain desire . All women have the advantage of being mistresses of their ...
Side 149
... women that would have been signalled by the apparently neutral phrase , ' the nature of a woman ' . We can now read that phrase as naturalising yet another , hardly neutral , construct of woman ; but in 1596 , at least in C. M.'s ...
... women that would have been signalled by the apparently neutral phrase , ' the nature of a woman ' . We can now read that phrase as naturalising yet another , hardly neutral , construct of woman ; but in 1596 , at least in C. M.'s ...
Side 157
... woman to woman because it depended upon men for its production : the staining of the wedding sheets required men's agency , the embroidery women wrought did not sustain them , and the only safe passage of the text was within the line of ...
... woman to woman because it depended upon men for its production : the staining of the wedding sheets required men's agency , the embroidery women wrought did not sustain them , and the only safe passage of the text was within the line of ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words