Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 1
... Representing the late nineteenth - century estimation of the drama's title character , Ella Adams Moore's 1896 study of ... represents two intersecting lines of character development , the decline of John and the rise of the Bastard . In ...
... Representing the late nineteenth - century estimation of the drama's title character , Ella Adams Moore's 1896 study of ... represents two intersecting lines of character development , the decline of John and the rise of the Bastard . In ...
Side 171
... represent the displaced bed , which represents the displaced couple ; and these objects and the couple of Oth- ello and Desdemona are significant because they are displaced . Displacement , like Browne's reading of the accident of ...
... represent the displaced bed , which represents the displaced couple ; and these objects and the couple of Oth- ello and Desdemona are significant because they are displaced . Displacement , like Browne's reading of the accident of ...
Side 304
... represented by Camillo and Polixenes , the latter at least representative of a senex when he acts the authoritar- ian ... represents sexuality in most of her Renaissance manifestations . The ardor suffuses her address to Florizel at 4.4 ...
... represented by Camillo and Polixenes , the latter at least representative of a senex when he acts the authoritar- ian ... represents sexuality in most of her Renaissance manifestations . The ardor suffuses her address to Florizel at 4.4 ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words