Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 51
... feel less confident in declaring that a drama in which every man is out for himself represents the medieval rather than the modern world . Perhaps Gar- rick's idea for a production which was ' half old English and half modern ' both ...
... feel less confident in declaring that a drama in which every man is out for himself represents the medieval rather than the modern world . Perhaps Gar- rick's idea for a production which was ' half old English and half modern ' both ...
Side 187
... feel " springs from what Garner himself feels - that the marriage is a doomed misalliance which " must fail " ( p . 250 ) , an assump- tion colored with racist feeling ; see note 25 below . The lines are also central to Lisa Jardine's ...
... feel " springs from what Garner himself feels - that the marriage is a doomed misalliance which " must fail " ( p . 250 ) , an assump- tion colored with racist feeling ; see note 25 below . The lines are also central to Lisa Jardine's ...
Side 313
... feel by his own lack of success , but an outright claim that he is going about matters " too coldly " ( I. ii . 30 ) ... feels she has won , she can descend to ask questions about his and her lord's boyhood , which , as we have seen ...
... feel by his own lack of success , but an outright claim that he is going about matters " too coldly " ( I. ii . 30 ) ... feels she has won , she can descend to ask questions about his and her lord's boyhood , which , as we have seen ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words