Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 76
... body , fails ; no one pays attention . The second claimant , Arthur , is even less persuasive than John as an embodiment of sacred majesty . In the first place , he is only a boy and does not particularly want to be king . His claim is ...
... body , fails ; no one pays attention . The second claimant , Arthur , is even less persuasive than John as an embodiment of sacred majesty . In the first place , he is only a boy and does not particularly want to be king . His claim is ...
Side 155
... body before her supposed adultery is here likened to a paper - book , one of the books of blank paper that Renaissance students used for practice in writing , translation and copying . Othello imagines she has written ' whore ' there ...
... body before her supposed adultery is here likened to a paper - book , one of the books of blank paper that Renaissance students used for practice in writing , translation and copying . Othello imagines she has written ' whore ' there ...
Side 283
... bodies . Paying close attention to the disposition of the body , the manuals participate in the class and gender transformations of the natural body . " De Beauchesne and Bales offer careful instructions on body posture and the ...
... bodies . Paying close attention to the disposition of the body , the manuals participate in the class and gender transformations of the natural body . " De Beauchesne and Bales offer careful instructions on body posture and the ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words