Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 311
... Polixenes is not a forward movement at all for Leontes , but a harking back to his childhood when he stood heir to men's greatest expectations of him to see him a man . To invite Polixenes and make such a fuss over him obviously argues ...
... Polixenes is not a forward movement at all for Leontes , but a harking back to his childhood when he stood heir to men's greatest expectations of him to see him a man . To invite Polixenes and make such a fuss over him obviously argues ...
Side 313
... Polixenes can tell her of Leontes past , and her offhanded treatment of Leon- tes by not telling him as soon as Polixenes has agreed to stay , she does give herself away by talking of praises as wages , as if these were in the first ...
... Polixenes can tell her of Leontes past , and her offhanded treatment of Leon- tes by not telling him as soon as Polixenes has agreed to stay , she does give herself away by talking of praises as wages , as if these were in the first ...
Side 344
... Polixenes simply by beauty is matched by Polixenes ' failure to persuade Perdita to cultivate by art the most beautiful flowers . His rhetoric is defective : Perdita will not cultivate nature's bastards , just as Camillo will not , at ...
... Polixenes simply by beauty is matched by Polixenes ' failure to persuade Perdita to cultivate by art the most beautiful flowers . His rhetoric is defective : Perdita will not cultivate nature's bastards , just as Camillo will not , at ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words