Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 322
... Perdita certainly has elements of wooing the " false way " ( IV . iv . 151 ) , as Perdita's intel- ligent sensitivity makes her suggest . His attempt to force the betrothal contract before what he takes to be only country witnesses is ...
... Perdita certainly has elements of wooing the " false way " ( IV . iv . 151 ) , as Perdita's intel- ligent sensitivity makes her suggest . His attempt to force the betrothal contract before what he takes to be only country witnesses is ...
Side 344
... Perdita's failure to rule Polixenes simply by beauty is matched by Polixenes ' failure to persuade Perdita to cultivate by art the most beautiful flowers . His rhetoric is defective : Perdita will not cultivate nature's bastards , just ...
... Perdita's failure to rule Polixenes simply by beauty is matched by Polixenes ' failure to persuade Perdita to cultivate by art the most beautiful flowers . His rhetoric is defective : Perdita will not cultivate nature's bastards , just ...
Side 346
... Perdita arrive at the Sicilian court , a lord announces Polixenes's approach . Florizel appeals to Leontes to try to persuade Polixenes to allow his marriage to Perdita . He appeals to Leontes's youth , when " you ow'd no more to time ...
... Perdita arrive at the Sicilian court , a lord announces Polixenes's approach . Florizel appeals to Leontes to try to persuade Polixenes to allow his marriage to Perdita . He appeals to Leontes's youth , when " you ow'd no more to time ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words