Shakespearean CriticismCengage Gale, 2002 - 448 sider This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Side 43
... Bastard's condemnation of the deed is the more eloquent for being sober and pithy : It is a dammed and a bloody work ; The graceless action of a heavy hand . ( 4.3.57-8 ) Whereas the lords , who cannot conceive of any other pos ...
... Bastard's condemnation of the deed is the more eloquent for being sober and pithy : It is a dammed and a bloody work ; The graceless action of a heavy hand . ( 4.3.57-8 ) Whereas the lords , who cannot conceive of any other pos ...
Side 72
... Bastard and Fal- staff share some important traits . But if Falstaff often takes the center of Shakespeare's stage , he is never allowed a central place in England's affairs , as the Bastard is here . This crucial difference can be ...
... Bastard and Fal- staff share some important traits . But if Falstaff often takes the center of Shakespeare's stage , he is never allowed a central place in England's affairs , as the Bastard is here . This crucial difference can be ...
Side 84
... Bastard's realization that he is in the presence of his father's killer , but rather it is Austria's antagonism towards the Bastard's patron , Elinor . At the meeting before the gates of Angier , Elinor and Con- stance pick up the ...
... Bastard's realization that he is in the presence of his father's killer , but rather it is Austria's antagonism towards the Bastard's patron , Elinor . At the meeting before the gates of Angier , Elinor and Con- stance pick up the ...
Indhold
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Copyright | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words