 | William Mariner - 1817 - 638 sider
...motion is then retraced, but in such a way (the left wrist now principally acting), that the,/ote, instead of being untwisted, is still more twisted,...uncommon subject of study for the painter, for no combinations of animal action can develope the swell and play of the muscles with more grace or with... | |
 | William Mariner - 1817 - 632 sider
...double motion is then retraced, but in such a way (the left wrist now principally acting), that t\\ejbw, instead of being untwisted, is still more twisted,...uncommon subject of study for the painter, for no combinations of animal action can develope the swell and play of the muscles with more grace or with... | |
 | Constable and co, ltd - 1827 - 722 sider
...double motion is then retraced, but in such a way, (the left wrist now principally acting), that thefow, instead of being untwisted, is still more twisted,...and less constrained hold.* Thus the hands and arms verform a variety of curves of the most graceful description. The muscles, both of the arms and chest,... | |
 | Peter Dillon - 1829 - 474 sider
...untwisted, is still more twisted, and is at length again placed upon the left arm, while he takes a new turn and less constrained hold. Thus the hands and arms...uncommon subject of study for the painter, for no combination of animal action can develop the swell and play of the muscles with more grace and with... | |
 | Peter Dillon - 1829 - 840 sider
...untwisted, is still more twisted, and is at length again placed upon the left arm, while he takes a new turn and less constrained hold. Thus the hands and arms...uncommon subject of study for the painter, for no combination of animal action can develop the swell and play of the muscles with more grace and with... | |
 | Thomas Williams - 1858 - 304 sider
...acting) that the vau, instead of being untwisted, is still more twisted, and is at length again placed on the left arm, while he takes a new and less constrained...uncommon subject of study for the painter ; for no combinations of animal action can develope the swell and play of the muscles with more grace or with... | |
 | Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - 1858 - 678 sider
...acting) that tho vau, instead of being untwisted, is still more twisted, and is at length again placed on the left arm, while he takes a new and less constrained...they are called into action, displaying what would bo a fine and uncommon subject of study for the painter ; for no combinations of animal action can... | |
 | James Greenwood - 1863 - 448 sider
...acting) that the vau instead of being untwisted is still more twisted, and is at length again placed on the left arm, while he takes a new and less constrained...uncommon subject of study for the painter ; for no combinations of animal action can develope the swell and play of the muscles with more grace and better... | |
 | James Greenwood - 1863 - 478 sider
...acting) that the vau instead of being untwisted is still more twisted, and is at length again placed on the left arm, •while he takes a new and less constrained...uncommon subject of study for the painter ; for no combinations of animal action can develope the swell and play of the muscles with more grace and better... | |
 | John George Wood - 1870 - 918 sider
...acting) that the fow, instead of being untwisted, is still more twisted, and is at length again placed on the left arm, while he takes a new and less constrained hold. 320 THK KAVA PARTY. painter : for no combinations of animal action can develop the swell and play of... | |
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... the left arm, while he takes a new and less constrained hold. Thus the hands and arms perform a variety of curves of the most graceful description : the muscles, both of the arms and chest, are seen rising as they are called into action, displaying... 
