Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 58
... social and economic privilege . But at every point of this text , the cause and effect implied by the hard - bitten rationality of the film's social narrative is medi- ated by the logics and temporalities of psychic life . Indeed , a ...
... social and economic privilege . But at every point of this text , the cause and effect implied by the hard - bitten rationality of the film's social narrative is medi- ated by the logics and temporalities of psychic life . Indeed , a ...
Side 184
... social change . Cinema in its early period , says Hansen , was an emerging public sphere , but not , as yet , a thoroughly bourgeois ( and male ) sphere . For a limited time , she says , it could be seen as an alternative public sphere ...
... social change . Cinema in its early period , says Hansen , was an emerging public sphere , but not , as yet , a thoroughly bourgeois ( and male ) sphere . For a limited time , she says , it could be seen as an alternative public sphere ...
Side 24
... social other , be that in the colonies , the east end of their own hometown or city , the industrial region , or , as in this case , a region underground . Holland's is a mundane text , bal- ancing the factual with the picturesque , the ...
... social other , be that in the colonies , the east end of their own hometown or city , the industrial region , or , as in this case , a region underground . Holland's is a mundane text , bal- ancing the factual with the picturesque , the ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York