Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 38
... says — as a teacher , as a lecturer , as a public figure - may be less important than the style with which one says it . It has been suggested , for example , that one model for academic encounter with the external world might be that ...
... says — as a teacher , as a lecturer , as a public figure - may be less important than the style with which one says it . It has been suggested , for example , that one model for academic encounter with the external world might be that ...
Side 147
... says , " I pre- tend it's me up there . Do you pretend when you're with them ? Don't worry , they can't tell like we can . " When Mignon is talking to her mother on the telephone , she says , " I am still the same person ... they didn't ...
... says , " I pre- tend it's me up there . Do you pretend when you're with them ? Don't worry , they can't tell like we can . " When Mignon is talking to her mother on the telephone , she says , " I am still the same person ... they didn't ...
Side 152
... says , " I was using this as a symbol of slavery , to create a new kind of icon around slavery rather than the traditional showing of the whip marks or the chains " ( DBh 31 ) . For hooks , this is a tactic of " defamiliarization ” ( 31 ) ...
... says , " I was using this as a symbol of slavery , to create a new kind of icon around slavery rather than the traditional showing of the whip marks or the chains " ( DBh 31 ) . For hooks , this is a tactic of " defamiliarization ” ( 31 ) ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York