Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 29
... represents what keeps us going ; and he stands at the head of what he represents because he knows what it is that he represents , but knows also that he cannot , if he is to transmit it to others , commit himself to any one form of it ...
... represents what keeps us going ; and he stands at the head of what he represents because he knows what it is that he represents , but knows also that he cannot , if he is to transmit it to others , commit himself to any one form of it ...
Side 35
... represented , end- lessly figured , and that representation and that figuration may work according to tightly coherent patterns . It's interesting to note , then , that if the gentlemanly scholars , writers , and judges think of ...
... represented , end- lessly figured , and that representation and that figuration may work according to tightly coherent patterns . It's interesting to note , then , that if the gentlemanly scholars , writers , and judges think of ...
Side 97
... represents " brains , " not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud [ 209 ] ; Harris belittles readings of Madonna's high - brow borrowings . ) Or , is it that being male ...
... represents " brains , " not " body " ? ( As Freedman notes , Dylan " legitimized " himself by claiming to be influenced by Rimbaud [ 209 ] ; Harris belittles readings of Madonna's high - brow borrowings . ) Or , is it that being male ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York