Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 5
... produced , the bourgeois masculine subject . Discourse creates its objects , but it also produces its subjects . Class , race , and gender as subjectivity , indeed as critically interfacing modes of subjectiv- ity , were the product of ...
... produced , the bourgeois masculine subject . Discourse creates its objects , but it also produces its subjects . Class , race , and gender as subjectivity , indeed as critically interfacing modes of subjectiv- ity , were the product of ...
Side 11
... produced were not blue books ( the name for official reports produced for the British Parliament ) or sensationalist journalism , but diaries , a form which is consid- ered a privileged site of the discursive production of a self , a ...
... produced were not blue books ( the name for official reports produced for the British Parliament ) or sensationalist journalism , but diaries , a form which is consid- ered a privileged site of the discursive production of a self , a ...
Side 42
... producing the distance of surveillance to control the dan- gers of proximity , which , like the sleep of reason , produced monsters . The copious diary texts were a defense against the breakdown and excess incited by the proximity he ...
... producing the distance of surveillance to control the dan- gers of proximity , which , like the sleep of reason , produced monsters . The copious diary texts were a defense against the breakdown and excess incited by the proximity he ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York