Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 55
... pose marks the intersection of these two discourses with a paradox : within aesthetic discourse the pose signifies the pres- ence of the artist / photographer who has carefully arranged the model , while in scientific discourse the pose ...
... pose marks the intersection of these two discourses with a paradox : within aesthetic discourse the pose signifies the pres- ence of the artist / photographer who has carefully arranged the model , while in scientific discourse the pose ...
Side 61
... poses , his contemporaries have succumbed to fashion and provided " innumerable modifications " to them ; the number ... pose anticipates that the focus of that look will not merely be her afflicted limbs but her exposed chest and face ...
... poses , his contemporaries have succumbed to fashion and provided " innumerable modifications " to them ; the number ... pose anticipates that the focus of that look will not merely be her afflicted limbs but her exposed chest and face ...
Side 70
... pose them as if they were mannequins and lamenting that he could not use corpses for the same task . Any further doubt about who Duchenne considered to be the subject of his medical photographs is erased by the frontis- piece to the ...
... pose them as if they were mannequins and lamenting that he could not use corpses for the same task . Any further doubt about who Duchenne considered to be the subject of his medical photographs is erased by the frontis- piece to the ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York