Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 127
... myth , representation , and repetition that explain this busy cultural traffic . For vampires are well - nigh ubiquitous , invading our quotidian dreamscapes and demonologies at every turn . “ Bush and Reagan . Took your money . Drank ...
... myth , representation , and repetition that explain this busy cultural traffic . For vampires are well - nigh ubiquitous , invading our quotidian dreamscapes and demonologies at every turn . “ Bush and Reagan . Took your money . Drank ...
Side 129
... myth remains theoretically indebted to earlier models that have increasingly been viewed as resting upon highly question- able foundations- reflectionism , structuralism , and the like- in practice , his reading of myth as a process of ...
... myth remains theoretically indebted to earlier models that have increasingly been viewed as resting upon highly question- able foundations- reflectionism , structuralism , and the like- in practice , his reading of myth as a process of ...
Side 141
... myth of uncanny return and a myth which is itself forever returning , one might almost see Dracula as the most quintessential of myths , the myth of myths . I owe this point to Rachel Bowlby . 4 Lecercle sees a convergence in this ...
... myth of uncanny return and a myth which is itself forever returning , one might almost see Dracula as the most quintessential of myths , the myth of myths . I owe this point to Rachel Bowlby . 4 Lecercle sees a convergence in this ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York