Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 17
... look throughout belongs to the fashion model , though it is always a look " to - be - looked - at " ; the taxi driver's look remains oblique , inaccessible behind a barrier of sunglasses , with one notable exception . A self - reflexive ...
... look throughout belongs to the fashion model , though it is always a look " to - be - looked - at " ; the taxi driver's look remains oblique , inaccessible behind a barrier of sunglasses , with one notable exception . A self - reflexive ...
Side 86
... look death in the face , beauty and death . In Vernant's representations of Medusa's frightening powers , Medusa ... looks " that anticipate the crossover between the two women . These descriptions begin well before Woolf's death , indi ...
... look death in the face , beauty and death . In Vernant's representations of Medusa's frightening powers , Medusa ... looks " that anticipate the crossover between the two women . These descriptions begin well before Woolf's death , indi ...
Side 123
... look at the world , and not the world itself . And I don't think we can say , as Bonitzer does in another essay , that in photography " the one who takes the pictures is effaced as subject of enunciation ... the opposite of what happens ...
... look at the world , and not the world itself . And I don't think we can say , as Bonitzer does in another essay , that in photography " the one who takes the pictures is effaced as subject of enunciation ... the opposite of what happens ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York