Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 32
... knowledge - production may be to ignore ways in which the very elements of knowledge and university investigation are not merely mediated , but mediatized from the start , rendered as images , made into spec- tacles , good ( or bad ) ...
... knowledge - production may be to ignore ways in which the very elements of knowledge and university investigation are not merely mediated , but mediatized from the start , rendered as images , made into spec- tacles , good ( or bad ) ...
Side 35
... knowledge and of his Princeton as a neutral or enhancing site for this activity , there was a very different Gauss and a very different Princeton being constructed in everyday student cul- ture and in popular representations of that ...
... knowledge and of his Princeton as a neutral or enhancing site for this activity , there was a very different Gauss and a very different Princeton being constructed in everyday student cul- ture and in popular representations of that ...
Side 37
... knowledge over contemporary popular cinema might discover that he / she is already known by that cinema , already ... knowledge and intel- lectual knowledge . There is nothing ( even the cultural critic him / herself ) that cannot become ...
... knowledge over contemporary popular cinema might discover that he / she is already known by that cinema , already ... knowledge and intel- lectual knowledge . There is nothing ( even the cultural critic him / herself ) that cannot become ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York