Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 54
... gender , sexuality and feminism — by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
... gender , sexuality and feminism — by crisscrossing within a single text those genres which depend most on violence and fear for their narrative excitement . As many film theorists have suggested , horror , sci - fi , and crime are the ...
Side 57
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
... gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he , like her family , is figured as skilled working class / lower ...
Side 67
... gender based problems , it does not always help to better things , " a realization that articulates an undertow of political pessimism in the youngest generation of feminist activists . " Painful , " " uneasy , " " disturbing ...
... gender based problems , it does not always help to better things , " a realization that articulates an undertow of political pessimism in the youngest generation of feminist activists . " Painful , " " uneasy , " " disturbing ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York