Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 56
... difference , might also be seen as articulated with a political and theoretical misreading of the staged scene along the lines of a radical feminist analysis of gender , one which sees men alone as innately or culturally violent and ...
... difference , might also be seen as articulated with a political and theoretical misreading of the staged scene along the lines of a radical feminist analysis of gender , one which sees men alone as innately or culturally violent and ...
Side 68
... difference whose ground is sexual difference , or , more abstractly , the difference between viewer and screen image ? By offering us a primal scene in which a female character's visual interpretation of male violence must lead to ...
... difference whose ground is sexual difference , or , more abstractly , the difference between viewer and screen image ? By offering us a primal scene in which a female character's visual interpretation of male violence must lead to ...
Side 87
... differences that make a difference , and refusing the ceaseless repetition of the new as the always - the - same . In this regard , the relationship between boredom and wait- ing becomes especially important , for it is in a waiting ...
... differences that make a difference , and refusing the ceaseless repetition of the new as the always - the - same . In this regard , the relationship between boredom and wait- ing becomes especially important , for it is in a waiting ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York