Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 16,Oplag 1–21993 |
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Side 185
... cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. ...
... cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. ...
Side 187
... cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early cinema as not bourgeois always seems to sound like an investment in the position of the ...
... cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically narrative ) ? To see early cinema as not bourgeois always seems to sound like an investment in the position of the ...
Side 171
... cinema and painting.3 But , one might well ask , why cinema ? We are not talking about an actual material equivalence , as with painting , but rather a mental incidence . This incidence can be found on the one hand in the capacity for ...
... cinema and painting.3 But , one might well ask , why cinema ? We are not talking about an actual material equivalence , as with painting , but rather a mental incidence . This incidence can be found on the one hand in the capacity for ...
Indhold
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York