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VERGIL

A Biography

By

TENNEY FRANK
Professor of Latin
in the

Johns Hopkins University

NEW YORK

HENRY HOLT AND COMPANY

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To

THE MEMORY OF

W. WARDE FOWLER

PREFACE

MODERN literary criticism has accustomed us to interpret our masterpieces in the light of the author's daily experiences and the conditions of the society in which he lived. The personalities of very few ancient poets, however, can be realized, and this is perhaps the chief reason why their works seem to the average man so cold and remote. Vergil's age, with its terribly intense struggles, lies hidden behind the opaque mists of twenty centuries: by his very theory of art the poet has conscientiously drawn a veil between himself and his reader, and the scraps of information about him given us by the fourth century grammarian, Donatus, are inconsistent, at best unauthenticated, and generally irrele

vant.

Indeed criticism has dealt hard with Donatus' life of Vergil. It has shown that the meager Vita is a conglomeration of a few chance facts set into a mass of later conjecture derived from a literal-minded interpretation of the Eclogues, to which there gathered during the credulous and neurotic decades of the second and third centuries an accretion of irresponsible gossip.

However, though we have had to reject many of the statements of Donatus, criticism has procured for us more than a fair compensation from another

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