Shakespeare and the Modern Stage: With Other EssaysAMS Press, 1974 - 251 sider |
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Side 46
... audience . A great imaginative play well acted will not achieve genuine success unless the audience has at com- mand sufficient imaginative power to induce in them an active sympathy with the efforts , not only of the actor , but of the ...
... audience . A great imaginative play well acted will not achieve genuine success unless the audience has at com- mand sufficient imaginative power to induce in them an active sympathy with the efforts , not only of the actor , but of the ...
Side 47
With Other Essays Sir Sidney Lee. THE ACTOR AND THE AUDIENCE 47 the creation of the needful dramatic illusion is finally due to exercise of the imagination on the part of the audience.1 Theseus , in A Midsummer Night's Dream , in the ...
With Other Essays Sir Sidney Lee. THE ACTOR AND THE AUDIENCE 47 the creation of the needful dramatic illusion is finally due to exercise of the imagination on the part of the audience.1 Theseus , in A Midsummer Night's Dream , in the ...
Side 102
... audience by " a tempered spirit , " not by mere vehemence of voice . His solemn , trembling voice made the Ghost equally terrible to the spectator and to himself . Another critic relates that when Betterton's Hamlet saw the Ghost in his ...
... audience by " a tempered spirit , " not by mere vehemence of voice . His solemn , trembling voice made the Ghost equally terrible to the spectator and to himself . Another critic relates that when Betterton's Hamlet saw the Ghost in his ...
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SHAKESPEARE AND THE ELIZABETHAN PLAYGOER | 25 |
1 | 82 |
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acting actor actor-manager actors and actresses admiration artistic audience Beeston Ben Jonson Benson's Betterton biography Cæsar character Charles Charles Kean classical comedy commemorative contemporary critical D'Avenant D'Avenant's death dramatic art dramatist Drury Lane Ducis Elizabethan Elizabethan playgoer endeavour England English experience France French genius gossip Hamlet Henry histrionic honour imagination Jonson Julius Cæsar King less literary drama literature London London County Council Love's Labour's Lost Lowin manager memorial ment methods Midsummer Night's Dream modern monument moral municipal theatre never Nicholas Rowe oral tradition Othello patriotic instinct Pepys Pepys's performance Phelps Phelps's philosophy piece playhouse plays of Shakespeare poet poet's poetic poetry present produced realise rendered reputation Richard II rôles scene scenery scenic sentiment seventeenth century Shake Shakespeare's plays Shakespearean drama speare speare's spearean spectacular speech stage Stratford Stratford-on-Avon Tempest theatrical enterprise tion tragedy Twelfth Night William Beeston writing wrote